This CD is dedicated to the memory of the men and women who first took
jazz music around the world. While facing adversity at home, they were often
regarded as visiting dignitaries abroad." So says Milo Petersen, drummer/
guitarist, composer and leader of this group of "Jazz Disciples". Milo and
his fellow musicians are disciples in the sense of being followers of those
pioneers whose lessons are the very foundations of jazz. This quintet is a
collection of highly accomplished musicians and leaders in their own right
who have worked separately and together in various combinations for years.
You may notice a musical language that is not unlike that of Miles Davis'
last acoustic quintet with Wayne Shorter, Herbie Hancock, Ron Carter and
Tony Williams. That quintet was one of the major forces in jazz at a time
when this group of players were beginning their careers. Most of Milo
Petersen's compositions featured here draw their inspiration from people
he's known. Blue Steele is for Gary Steele, the bass player and saxophonist
who, with his wife Patti Summers, owns and operates a cozy bistro in
Seattle's Pike Place Market which has been home to many sessions. Gary has
long been one of Milo's musical mentors and best friends. The
Good was completed for a childhood friend's wedding and was inspired by the
spiritual writings of the Katha Upanishad. Certain Thoughts, composed in New
York in Winter, is a sort of "psychological thriller" inspired by the music
of Wayne Shorter. Throwing Roses was inspired by musical guru Jerome Gray, a
distinguished composer, pianist and musical theorist who used the phrase to
stress melodic simplicity and giving through music. Seiji and Hiroshi is for
a couple of Japanese-American brothers who as community activists constantly
balanced their Japanese heritage with their American experience. The bass
and drums introduce the brothers, the following "A" section represents the
heritage, and the swinging bridge their American experience. Una Piña de
Yayo was named for a Cuban restaurant in Brooklyn run by Señor Yayo. There
was always a big jar of pineapple juice on the counter, and this image is
part of Milo's memories of the community and the music which typified the
neighborhood in which he lived in the late 80's.
Visiting Dignitaries is for those jazz pioneers whose music was received
with great fanfare by a broad and appreciative audience around the world.
The African feel of the opening metamorphoses into swing, reflecting jazz'
origins and development. Prayer is a meditative piece built from a drone on
a narrow band of chords which creates the first melody, with another
developing over its top. Tony is for Tony Williams, one of the most
influential modern drummers since the 60's when he emerged as a member of
the Miles Davis group. This particular piece was composed immediately after
hearing the Tony Williams Quintet at the Vanguard. Milo says he went home
and couldn't sleep until he wrote this music. Closing the CD as it began,
with a blues, John Coltrane's Some Other Blues is Milo's acknowledgment of
one of his main jazz heroes and biggest influence.
At a time when a lot of emphasis is placed on blends and fusions of
dissimilar kinds of music, it's great to hear some inspired unhyphenated
original jazz. Thanks, Milo, you got your ears on straight!
Jim Wilke — Jazz After Hours,
Public Radio International